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Art Videos
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Raku and Blackware Pottery
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Tools
and materials. Clay, wirecutter, kidney tools, brush, etching
tools, moulding tools, bat, rolling pin, talc, glaze, clay slip,
tongs, kiln, and sawdust - how they are each used. The history
of raku and blackware pottery. Japanese roof tiles. Making a
raku slab pot. 'Groggy clay' - when this is used. Biscuit firing
to 1,000 degrees. Applying the glaze. 'Fluxes'. Building a kiln:
firebricks, gas burner and concrete lid. Taking the pot out
of the kiln. Blackware firing: Sculpting Burnishing. Applying
the stain. Using fireclay to seal the kiln. Sugar used to carbonise
the oxygen.
(26
min) - Year of Production 1992
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Stoneware
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Ancient
Chinese ceramics. Porcelain. The development of the kiln. The
updraft kiln, the bottleneck kiln and the downdraft kiln. Stoneware
firing. The gas-fired kiln versus the electric kiln. The rise
in temperature through to 1300 degrees. The reduction firing.
Wedging the clay. Undercutting tools, turning tools, bamboo
skewers, calipers, pot lifters, calligraphy brushes, glazes.
Weighing the clay, throwing and turning. Using the pottery wheel
- lubrication. Making the handles. Painting and decorating.
Putting on the glaze. Glaze firing. Finishing off with a caborundum
stone. Making a large jug on the pottery wheel. Making non-functional
sculptural forms (mock cakes).
(29
min) - Year of Production 1992
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Tapestry
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The
history of tapestry. Coptic textiles. The transformation of
weaving from an original art form into an imitation of painting.
The resurgence of tapestry. Materials used: paper, wire, wool,
silk, plastic, rubber, cotton, fabric. Warping the loom: masking
tape, cotton seine twine, waterproof marker, steel ruler and
plumb weight. The nature of the weft. Cartoons. Ideas and inspiration.
Mixed media materials: newspaper treated in various ways, dyed
fabric, steel wool. Commissioned tapestries .
(27
min) - Year of Production 1992
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Sculpture
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Primitive
sculpture. Egyptian, Greek and Roman sculpture. Renaissance
sculpture. Rodin. Futurism. Picasso. Materials, tools and techniques:
wood, steel, corrugated iron, scrap from demolition sites. Working
with metal - safety observations in welding and grinding. Cutting
and shaping techniques. Shaping a wax model with a soldering
iron. Working with cloth. Sketching ideas in a sketch book.
Working with stone. Carving tools. The special properties of
limestone. Cutting using a jigsaw. Making a wax model 'maquette'.
Preparing the wax for modelling. Making a large clay model,
shaping over reinforced struts. Casting on the clay with cement
and fibreglass. Runners and risers in making up a wax model
ready for casting. Chasing and flashing. Sandblasting and applying
a patina. The 'lost wax' method of casting bronze. Lighting
the furnace. Melting the bronze. Digging the pit. Wrapping the
mould in hessian and plaster. The pour.
(33
min) - Year of Production 1992
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Oil Painting: Tools and Materials
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Colours
mixed with oils. Jan Van Eyck. Tempera - egg, water and pigment.
Mixing pigments using a muller and slab. Powdered pigments and
linseed oil. Mineral pigments. Methods of storing oil paints.
The manufacture of oil paints. Brushes: the bristle brush, sable
brush, synthetic brushes, ox hair brush. Applying varnishes.
Squirrel hair blender brushes used for finishing touches or
removing brushmarks. Staining the canvas and applying washes.
Palette knives, easels. Palettes. Dippers. Pine, linseed oil,
turpentine and flux. The colour wheel. Canvas. Cardboard. Wooden
panels. Plywood. Particle board. Masonite. Stretching a canvas
with primed or unprimed cloth. Sizes, grounds and varnishes.
From drawing to oil painting. The camera obscura. Using a grid
system. Red transfer powder. A viewing card. Sources of light.
Choosing a subject.
(22
min) - Year of Production 1995
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Art Videos: Approaches to painting
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Choosing What to Paint
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Nature
of the scene - picturesque, dynamic etc. Emotional and aesthetic
criteria. Portraits. Creating a mood. Dramatic and unrealistic
angles. Using light in interesting ways. Indoor and outdoor
paintings. Source of inspiration. Watercolours and oils. Acrylics.
Glazing and scumbling. Using gouache.
(24
min) - Year of Production 1995
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Composing a Painting
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Photographs
as opposed to live painting of a scene or portrait. Detailed
sketches. Shapes within the painting. Re-organising nature for
the sake of composition. Proportion. Distortion - deliberate
in a way that enhances the drama. Getting an aesthetic response
from the viewer.
(18
min) - Year of Production 1995
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Using Colour
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Using a ground. Greens, oranges
and purples - advantages of mixing your own. Staining and non-staining
watercolours. Using black as a colour. Colours for the first
layer. Techniques of heightening and lowering tones. Soft-edged
work. Using colour as a means of achieving depth.
(30 min) -
Year of Production 1995
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Methods of Working
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Painting
surfaces: paper - thickness and texture, stretching a paper
and stretching a canvas. Techniques of working. Approaches to
illustration and rendering. Priming and glue-sizing. Mixing
watercolours on your palette. Brushes. Turpentine. The fat over
lean principle. Varnishes and stand oil.
(34
min) - Year of Production 1995
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Set of 4 Approaches to Painting Videos
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Art Videos: Printmaking Videos
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Etching
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The
plate is cleaned and prepared and made ready for the ground.
A ground is selected and applied to the plate with a roller.
The artist draws onto the plate aware of the many drawing techniques
available at this stage. The plate is etched in a solution of
acid, and bubbles from the chemical reaction are removed with
a feather. Health and safety rules are observed at all times.
The plate is then cleaned and made ready for the print. Ink
is prepared and rolled onto the etched plate. Finally the plate
goes through the press and the finished print is seen. Other
examples of etching are shown.
(25
min) - Year of Production 1993
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Lithography
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The
stone is prepared to receive the drawing. Various drawing effects
are shown using touche and greasy crayons. The effects of the
materials used in the chemical process of lithography such as
rosin, gum arabic and nitric acid are explained. The stone is
etched and the asphaltum and lithotine applied. Health and safety
rules are always observed. The ink is applied with a roller.
Finally the stone goes through the press and the finished lithograph
is seen. Other examples of lithography are shown.
(37
min) - Year of Production 1993
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Relief Printing
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A
piece of artist's lino is prepared. Many effects are created
as the artist cuts into the lino with differently shaped cutting
tools. The ink is prepared and applied to the lino surface with
a roller. The lino is printed on the press and the relief print
is seen. Further cutting takes place and the lino is once again
inked up. Finally the effects of a two colour print are seen.
Other examples of relief printing are shown.
(16
min) - Year of Production 1993
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Monoprinting
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The
advantages of making a monoprint over other forms of printing.
Making a negative and a positive image. The registration marks.
Changes for a second print. Layering effects. The inks are prepared
and applied to a glass sheet. Many drawing effects are shown
using different tools and techniques. Finally the image is printed
and the one-off print is seen. Other examples of monoprinting
are shown.
(23
min) - Year of Production 1993
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Set of 4 Printmaking Videos
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All 13 Art and Printmaking Videos
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